Monday, September 9, 2013

Mary Barton's Contemporaries

Of all the reviews contained in this Norton Edition, one stands out as just very odd. The Long Strike: A Drama in Four Acts really seems out of place as review for Mary Barton itself because it's more of a retelling only in play form and it seems to have convoluted Gaskell's initial story of the Industrial Revolution. But none of this is really what I want to talk about I just thought it odd. I read a multitude of the first few reviews and they all practically restated the same things about the novel's good points and accurate portrayal of the living conditions in Manchester so nothing of note there, but it was in Leon Faucher's piece that an idea struck me.


Faucher's piece is not a review of Mary Barton per se, but it describes the time period of the novel in more of a historical context. Faucher outlines the poor state of the citizens and the rise of machinations that take over the factories and lower the jobs available. Later on, Faucher brings in class struggles and mentions that "evil exists on both sides" (418) in regards to both the poor holding strikes and revolts while the upper echelons neglect or harass the poor right back. This sort of back and forth, Faucher argues, is the most unnecessary and oftentimes foolish attempt to fix England's problems.

Now the important part, Faucher mentions a very interesting idea that he puts very bluntly, "if industrial wealth could only be obtained by the sacrifice of everything which constitutes the strength of a people, it would be a hundred times better to renounce it altogether" (418). Faucher even compares this idea to the loss of one's humanity, which certainly shows in John Barton's character. Throughout the novel this idea gets played out but never carried through with most characters because they step back towards their humanity and make sure industrialization does not cannibalize them, either that or they are swallowed and destroyed such as the Davenports and the aforementioned John Barton.

John allows this industrial age to dictate his hatred towards those that are prosperous but have no sense of humanity left, and therefore he himself falls into shadows and ruin for that which he cannot attain. On the reverse side, Carson really never shows a care for those being negatively affected by this industrial wealth until he sees the small boy knock over the girl and hears her shrug off the boy for not knowing what he was doing. He then actively sees John for a person and not a murderer thus gaining some semblance of humanity lost due to his wealth and status. While a few characters notice the shift and stay human in their interactions with others, society as a whole also showed the darkside of having industrialization rip apart communities and show how the factories were an unfair environment(strikes, mill fire, failed chartists), but if society did follow Faucher's idea and abandon all of it then the conditions of England's people would have been much worse for a longer duration of time. The death of many to help secure a better place among the future world powers as opposed to a radically un-technological country unfit to compete in the latter 1800's and early 1900's, was it worth the great class and industrial wealth schisms? the people like the chartists and others who actively got changes to the industrial environment helped to make all the strife worth it.

5 comments:

  1. Good thoughts, Ryan. Evil does exist on both sides. Good exists on both sides. These days we tend to, as Dr. Hague says, sympathize with the workers, and rightly so. But to ignore their weaknesses, or the strengths of the factory owners, is to be intellectually dishonest. I've noticed that sometimes modern bias surrounding this issue leads us to ignore evidence that does not support our preconceptions--a very human response, by the way. So I am glad you brought up Faucher's review.

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  2. Ryan, I'm glad you chose to discuss this review. I briefly mentioned it in mine but I really appreciate how you connected Faucher's claims to characters such as John Barton and the Carsons. They are obviously the most important characters to observe where industrialism is concerned as they are situated at the opposite ends of the spectrum from each other. Do you suppose that Gaskell meant to create characters which embodied these struggles so strongly? Or was creating a character in the working class bound to inherit and experience the stereotypical struggles of John Barton&Co.?

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  3. I really enjoy the humanity tone of your blog. It is very interesting to note that after all this strife and fight for survival, that we are indeed still human. The quote that you added of good and evil residing on both sides, really puts things into perspective. While some may think they are going through the worst, others might also be going through the same trials feeling alone. Both classes are in a fight of their own and time will tell if it all will come out right in the end. Nice work Ryan!

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  4. I agree with everyone that you did a great job, Ryan, of adding a human feel to the novel with your discussion of the reviews. The fightbfor survival is in all of us, rich or poor, and many people will stopat nothing to survive. Both the workers and the masters (as a whole) would resort to violence if they felt like their survival was at stake.

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  5. Labor and trade unions definitely played a big role in the continued reform movements of the 19th and even 20th centuries, and I see them as sort of the mediating force against the drive to abandon industry entirely. They're not a perfect force, but their persistence in both the US and the UK speaks to the significant role they've played in mediating between bosses and workers.

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